References
Modernist Foundations
Malevich, Kasimir: The Non-Objective World: The Manifesto of Suprematism. Paul Theobald, 1959.
Mondrian, Piet: Plastic Art and Pure Plastic Art. Wittenborn, Schultz, 1945.
Van Doesburg, Theo: Principles of Neo-Plastic Art. Lund Humphries, 1969.
Kandinsky, Wassily: Point and Line to Plane. Dover Publications, 1979.
Lissitzky, El: Russia: An Architecture for World Revolution. MIT Press, 1984 (orig. 1930).
Moholy-Nagy, László: Vision in Motion. Paul Theobald, 1947.
Müller-Brockmann, Josef: Grid Systems in Graphic Design. Niggli, 1981.
Concrete and System-Based Art
Bill, Max: Die mathematische Denkweise in der Kunst unserer Zeit. Verlag für Architektur, 1949.
Lohse, Richard Paul: Neue Gestaltung in der Kunst. DuMont, 1978.
Albers, Josef: Interaction of Color. Yale University Press, 1963.
Burn, Ian: Conceptual Art as Art. In Art & Language: The Journal of Conceptual Art, 1970.
LeWitt, Sol: Paragraphs on Conceptual Art. Artforum, 1967.
Gerstner, Karl: Designing Programmes. Arthur Niggli, 1964.
Oiticica, Hélio: Aspiro ao Grande Labirinto. (1960–79).
Imdahl, Max: Farbe: Kunsttheoretische Reflexionen in der Moderne. Suhrkamp, 1987.
Perception, Gestalt, and the Conceptual Shift
Arnheim, Rudolf: Art and Visual Perception: A Psychology of the Creative Eye. University of California Press, 1954.
Gombrich, E.H.: Art and Illusion: A Study in the Psychology of Pictorial Representation. Princeton University Press, 1960.
Merleau-Ponty, Maurice: Phenomenology of Perception. Routledge, 1962.
Gibson, James J.: The Ecological Approach to Visual Perception. Houghton Mifflin, 1979.
Kepes, György: Language of Vision. Paul Theobald, 1944.
Eco, Umberto: The Open Work. Harvard University Press, 1989 (orig. 1962).
Merleau-Ponty, Maurice: Eye and Mind. In The Primacy of Perception. Northwestern University Press, 1964.
Krauss, Rosalind E.: The Originality of the Avant-Garde and Other Modernist Myths. MIT Press, 1985.